![]() ![]() In 1963, each of the Beatles had been given a Pentax. Still, McCartney tried to capture some of that New Madness through the lens of a camera. REPORTER: What would you call that hair style you’re wearing?Īsked, preposterously, to explain their own significance, they made fun of the question. REPORTER: Tell me, how did you find America? The band’s interviews became a signature, four very clever young men batting back reporters’ endlessly idiotic questions, a patter only barely fictionalized in the 1964 film “ A Hard Day’s Night”: Partly it was the magnificent irreverence, the affectionate cheekiness, the surprisingly soft sexiness. Time, writing about the Beatles, called it “the New Madness.” And something more, too, was catching fire: an unsettling, an upheaval, revolutionary. By the time they broke out, the sun had set on the British Empire, but the age of globalization had begun. ![]() Beatles records played on radio stations from Tokyo to Johannesburg. It’s even in the name: “the Beatles” is a mashup of the name of Buddy Holly’s band, the Crickets, and the Beat poets, a label that came from Black slang. They played nineteen-twenties British music-hall music, and rhythm and blues, and Black roots music from the banks of the Mississippi and the streets of Detroit. They wore Italian suits and Cuban-heeled boots and French haircuts popular with German students. As the historian Sam Lebovic has pointed out, they’d been shaped by a wide, wide world. In 1964, the Beatles became the first truly global mass-culture phenomenon. But what madness-what beauty, joy, and fury-would you capture? In 1964, you could hold your camera up to the world. Two days after Kennedy was killed, Jack Ruby shot Lee Harvey Oswald on live television. More pensive than wistful, he remembered that day, how it was surreal, unreal, but, then, everything about that year was surreal. We were in his office in New York McCartney, eighty, wore jeans and a pullover, slouching in his chair like a teen-ager. “We were backstage somewhere on a little tour in England when we heard the news,” McCartney told me last year. At 2:38 P.M., Cronkite looked up at the clock, and announced that the President had died. “If you can zoom in with that camera, we can get a closer look at this picture,” he told a cameraman, holding up a photograph of the motorcade taken moments before the shooting. You couldn’t see Cronkite the news had just come in on the wire service, and onscreen was a slide that read, “ CBS NEWS BULLETIN.” Minutes later, with the cameras finally on, Cronkite appeared in shirtsleeves, spruce but shaken. The sixties started in 1964, observers like to say, and 1964 started that afternoon, November 22, 1963, when Cronkite broke into “As the World Turns.” “In Dallas, Texas, three shots were fired at President Kennedy’s motorcade,” Cronkite said, his voice grave and urgent. Kendrick’s report had been set to air again that night, on “CBS Evening News with Walter Cronkite.” The rerun was cancelled. “What has occurred to you as to why you’ve succeeded?” Kendrick asked Paul McCartney. ![]() The Beatles found it hard to take the search seriously. “Some say they are the authentic voice of the proletariat.” Everyone searched for that deeper meaning. “The Beatles are said by sociologists to have a deeper meaning,” Kendrick reported. “That’s not a collection of insects but a quartet of young men with pudding-bowl haircuts.” And, four days after that, “CBS Morning News with Mike Wallace” broadcast a four-minute report from “Beatleland,” by the London correspondent Alexander Kendrick. “Would the people in the cheaper seats clap your hands? And the rest of you, if you’d just rattle your jewelry.” Two weeks later, the band made their first appearance on American television, on NBC’s “Huntley-Brinkley Report.” “The hottest musical group in Great Britain today is the Beatles,” the reporter Edwin Newman said. “For our last number, I’d like to ask your help,” John Lennon cried out to the crowd. On November 4, 1963, the Beatles played at the Prince of Wales Theatre, in London, exuberant, exhausted, and defiant. ![]()
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![]() ![]() us Press office Accessibility Sustainability Job vacancies. Defined as the losses that are likely to result from exposure to earthquake hazards, seismic risks are determined not only by hazard levels but also by the amount of people and property that are exposed to the hazards and by how vulnerable people and property are to the hazards. A map of earthquake activity in the British Isles shows a number of regional variations. Tap/click on 'gear icon' for options and settings. Latest Earthquakes Latest earthquakes map and list for U.S. United States Geological Survey Earthquake Hazards Program. When viewing the maps, it is important to remember that areas with high earthquake hazards do not necessarily face high seismic risks. Earthquakes By Earthquake Hazards Program Find recent or historic earthquakes, lists, information on selected significant earthquakes, earthquake resources by state, or find webservices. Earthquake Hazards Map of the South Carolina Coastal Plain, GGMS-2. ![]() These maps have simplified this by assuming normal Site Class “D” soils, which are the most commonly found. SDCs take into account the type of soil at the site, as poor soils can significantly increase earthquake shaking. *Abbreviated descriptions from The Modified Mercalli Intensity (MMI) Scale. Shaking intense enough to completely destroy buildings. Damage great in substantial buildings, with partial collapse. Strongest shaking-Damage considerable in specially designed structures frame structures thrown out of plumb. Near major active faults capable of producing the most intense shaking. Very strong shaking-Damage slight in specially designed structures considerable damage in ordinary substantial buildings with partial collapse. Strong shaking-Damage negligible in buildings of good design and construction slight to moderate in well-built ordinary structures considerable damage in poorly built structures.Ĭould experience very strong shaking (the darker the color, the stronger the shaking). Some heavy furniture moved a few instances of fallen plaster. Below is a map showing the risk of damage. Geological Survey (USGS) 2014 National Seismic Hazard Mapping Project (NSHMP). Other sections of this part of the country are prone to earthquakes, but can expect fewer quakes of smaller magnitude. Y, Alaska, United States 4 hours ago 5.1 magnitude, 10 km. Moderate shaking-Felt by all, many frightened. earthquake modeling includes the latest data from the U.S. Ferndale, California, United States 4 hours ago 3.7 magnitude, 38 km depth. Very small probability of experiencing damaging earthquake effects.Ĭould experience shaking of moderate intensity. Although stronger shaking is possible in each SDC, it is less probable than the shaking described. The following table describes the hazard level associated with each SDC and the associated levels of shaking. (Building design and construction professionals use SDCs specified in building codes to determine the level of seismic resistance required for new buildings.) ![]() The colors in the maps denote “seismic design categories” (SDCs), which reflect the likelihood of experiencing earthquake shaking of various intensities. ![]() ![]() ![]() ![]() For more information you can view our full shipping and returns policy here. In times of high volume, such as during the holiday season, this time may be reduced to 12 hours.Please account for the above details when placing an order. Color Dark Brown 16x24 18.99 Free shipping Non-Slip Leather Desk Blotter, Laptop Desk Pad, Desk Writing Pad for Office&Home 41.99 10.00 shipping Desk Pad Blotter Protector Comfortable with Faux Leather Bottom. 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